I grew up in a small town in southern Wisconsin where I developed a passionate interest in nature and the outdoors. In 1981, after high school, I set my sights on Alaska, seeking adventure in a wilderness landscape, along with a university education in Fairbanks. Following graduation, I combined my childhood love of the visual arts and outdoor interests to forge a career as a freelance nature photographer. My Alaska is revealed in the collection of images that defines my photographic career, which now spans four decades. The pictures tell a small part of a larger story, one of a curious student in nature's grand classroom. Along this personal and professional journey of life and art, I'm continually reminded that the gift of seeing requires more than the eyes that see. Where to photograph in Alaska?
Excerpted from The Northern Lights: Celestial Performances of the Aurora Borealis by permission of Sasquatch Books Daryl Pederson figures that he misses capturing a great aurora image nine out of every 10 attempts. But 10 percent is pretty good, he figures, especially when the effort rewards him like it did a November night long ago. He pulled on his parka and ventured from his home in Girdwood, Alaska late at night to see the snow glowing red. The hills reflected one of those auroras that made his heart beat as if he was a hunter hearing twigs snap at the approach of a bull moose.
The shadow of our single-engine plane coasted north over a landscape that grew increasingly brown and bare. Serpentine rivers which once carved through a sea of trees near Fairbanks now ran naked beneath the sun. I craned my neck over the pilot's shoulders, impatient for mountains to surface. Believed to be 126 million years old, the Brooks Range spans 700 miles across northern Alaska and the Yukon Territory of Canada. Part of this range is protected within the Gates of the Arctic National Park and Preserve, which measures the same size as Switzerland and is inaccessible by trails or roads. Within this park I would find what I had been searching for: caribou skin mask makers in the village of Anaktuvuk Pass.
To say the suit is snug would be an understatement. I nearly broke a sweat pulling it over my calves, and it was frustrating having to furiously twist my arms to get them out the other side. Now I'm grinding my foot into the booties and working my fingers into the tips of the gloves. Standing up, I feel elastic and toned, wound up and ready to spring open. But it's only a feeling.
This image was taken by Patrick Endres in his travels through Alaska. Can you tell us where you will find this view? Tell us on our Facebook page, Facebook.com/AlaskaMagazine
The polar bear meandered along the water's edge. Slanting through skeins of mist, the October sun bathed the scene in shimmering light. Photographer Steve Kazlowski and I sat, camera gear at the ready as Steve's Eskimo buddy idled the big wooden skiff through the sandy shallows of the Beaufort Sea, on the far northeastern edge of Alaska. The bear, an adult female, glanced our way now and then, but showed no sign of concern.
Fourteen thousand dollars. That's the grand total of the camera equipment in my loft. I haven't thought about how I'll pay for it; I only know this—after photographing wildlife for most of my adult life, it was time to step up—to see what I might really do with the proper gear. I decided this, the way most reasonable and sane people do, while sitting at a cocktail lounge on a Princess Cruise ship drinking Alaskan ambers with one of the least risk-averse people I know: Alaskan writer and adventurer, Nick Jans.
In 1904, Sydney Laurence, an artist approaching the age of 40, deserted his family and moved to Alaska. Though some may find his decision objectionable, his paintings would come to define Alaska's image as the final frontier to Americans longing for a bygone era.
A bitter westerly lashes off the Chukchi Sea, hurling skeins of sleet, fog and snow – typical early June weather for Point Hope, Alaska. This Inupiaq Eskimo village of roughly 700 perches on a weather-raked gravel spit a hundred-some miles north of the Arctic Circle, on the state's northwest coast. Photographer Clark Mishler, Mayor Steve Oomituk and I jounce along over the sparse tundra in Steve's well-used SUV, past rows of oblong mounds, many of them ringed by strange, curving shapes taller than a man, some standing erect, others splayed on the ground. There are hundreds more ahead.
"This is crazy," murmurs Perry Mollan, lead guide of Katmai Wilderness Lodge. Here we are in Kukak Bay, about as wild as Alaska gets, and we're witnessing a scene straight out of Disney: a 400-pound brown bear and a red fox hanging around with each other. In all his years, Perry's never seen anything like it; Alaska photographer Carl Johnson and I are just as flummoxed.